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SUSAN MC KINSEY GOLDBERG is a renowned animation Art Director and Designer whose work has graced numerous feature films and theme park attractions in the United States, England, and Hong Kong. Her interest in the medium of animation reflects her encyclopedic knowledge of many other artistic disciplines, including Japanese art and textile design, children’s book illustration, costume design, wildlife painting and drawing, and graphic design for film and print.
In school, Susan won many local painting awards and competitions. Her interest in the animal kingdom (both artistic and conservation-oriented) led her to the Florida chapter of the National Audubon Society, where she served as Editor of their magazine. During her college years she received a scholarship and attended the fledgling Character Animation program at California Institute of the Arts. There she was taught first-hand by several of the great Disney animation artists, including director Jack Hannah, designer and story artist T. Hee, layout artist Ken O’ Connor, concept artist Elmer Plummer, and designer Bill Moore, who was among the first to notice Susan’s flair for design and color. This was followed soon by a stint in New York, working as a Background Artist for legendary MGM animator Jack Zander at his popular commercial production house, Zander’s Animation Parlour. It was during this time that she met her future husband Eric, on holiday from working in London, and since their marriage they have often had the enjoyable opportunity to work as a team on a variety of animation projects. Read more
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Born and raised in Southern California, STEVEN E. GORDON has been a professional in the animation industry since 1977. He was hired while still in High School by Ralph Bakshi Productions to work on the feature film “Lord of the Rings”. It wasn’t long before Steve was given more responsibility and by 1982 he was Animation Director and Key Animator on the Bakshi / Frazetta feature “Fire and Ice”. Steve’s next job was a five year stint at Disney Pictures animating on “The Black Cauldron” and other films. For the next 12 years he worked on and off with Rich Animation on a series of direct-to-videos, pioneering character layout - the industry standard, and was Animation Director / Character Designer / Key Animator on “The Swan Princess. He then continued Directing and Character Design on the highly rated “X-Men: Evolution” TV series for Kids WB where he not only directed on the first two seasons, but also did every single character design himself for all four seasons with only the help of a clean-up artist. He then went to Dreamworks and worked in the story dept. and received a credit for his work on the huge Hit Shrek 2. After Dreamworks he went to work for Marvel/Lionsgate Productions as a director and a character designer on the Ultimate Avengers. He also directed a direct-to-video for Stan Lee and co-directed the direct-to-video sequel to “Happily N’ever After” for Lionsgate and is currently a director of the new series Wolverine and the X-Men.
Here is a rare interview with one of the top 5 animators in animation today who has worked with every TV and feature animation studio that is in Southern California.
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CRAIG ELLIOT has been interested in the artistic for as long as he can remember. Born in a farm and air force town in California, Craig’s family moved to what is now Silicon Valley California where he grew up. Back then, most of the valley was fruit orchards and open space. The experience of walking home from school through a shower of blossoms or playing in the creek as a child fostered Craig’s love of nature. Dioramas with sculpted and painted figures often depicting the nature that surrounded him, along with drawing were Craig’s first art forms.
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CTN Members take a look back at 2008
Chris Bailey: 2008 was rollercoater year. I took some time off after suping the animation on Alvin and Chips and spent a month in Israel doing some story and CG consulting for Animation Lab in Jerusalem. Shortly after returning to CA, I had the opportunity to direct a series of mini shorts for PEPFAR (President Bush’s Emergency Program For Aids Relief in Africa). http://hivfreegeneration.warnerbros.com/
While at WB, a script page landed on my desk for an animated spot on the TERMINATOR TV series. It was for an orientation video at a nuclear power facility. I designed the star, ATOMIC AL and storyboarded the short educational clip about nuclear power. Todd Bright of Studio Bright animated it in record time and it appeared on the season’s second episode where Sara Conner gets a job at a nuclear facility. The Pepfar shorts came to a conclusion in late Nov. They were a whirlwind job. Mainstreet Productions four walled the studio and produced the shorts on the WB lot with 5 months. Since then, I’ve been consulting with Fox Feature animation and pitching projects while rumors of Alvin ll grow.
Nancy Bieman: 2008 was a banner year. I changed countries (USA to Canada) jobs (RIT to Sheridan College) and had my first book, PREPARE TO BOARD! published in Chinese. I am preparing for a second book and second semester at Sheridan, not necessarily in that order. Read more
